Jeremy Bolm of L.A.‘s Touché Amore is one of the coolest dudes in hardcore punk.  At shows he brutally screams his passionate lyrics but then squeakily talks like the nicest guy you’ve ever met during the breaks between songs.  The guy’s voice is already all-but-destroyed, which makes you wonder if he’s got any post-punk band career plans in the works.  Turns out he’s getting a head start on a job that doesn’t involve shouting as loud as possible every day, as he recently started his own record label.

The label’s called Secret Voice, and it’s an outlet for Bolm to “release different things that [he] fully believe[s] in.”  Bolm’s favorite products are set to be distributed through Deathwish, Inc.

The first of such things is a self-titled EP from Canadian group Single Mothers.

Single Mothers plays an unusual style of music— blending spoken word and hardcore in a manner similar to groups like mewithoutYou and La Dispute.  The group’s cocktail of honest emotional lyricism and inventive hardcore makes them a great match for Touché Amore, and frontman Andrew Thomson’s voice is as intriguing as Bolm’s.

A preview of one of the EP’s songs is now available for streaming on Soundcloud.  It’s called “Winter Coats,” and it’s one of the coolest song’s I’ve heard in a while.  Over a sweeping 4 minute hardcore track, Thomson desperately shouts lyrics about life and love and how shitty Canada is.  Something we can all relate to.  Listen below.

SINGLE MOTHERS “Winter Coats” (on Secret Voice) by deathwishinc

As of now it’s apparent that Bolm has exquisite taste.  Hopefully Secret Voice’s future releases are this good.

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Las Vegas’s extravagance and money money money mantra don’t necessarily scream punk rock, but perhaps that’s all the more reason that the country’s most awesomely punk festival takes place in Sin City.  That festival is the Punk Rock Bowling and Music Festival, which is now in its 14th year.  This year’s event is set to feature three days of outdoor music, accompanied by two days of bowling.  There are also poker and pool parties scheduled as well as more intimate club shows throughout the city.  The festival is scheduled to take place May 25th through 28th— Memorial Day Weekend.

Over sixty bands are going to perform over the course of the three days, but the first five bands were announced yesterday.  Included on the lineup are Rancid, NOFX, Pennywise, the Adicts and the Briefs.  Rancid and NOFX are probably the most well-known bands outside the punk community, and they’ll likely draw a sizeable crowd.  Pennywise and The Briefs are both popular West Coast punks, with the former representing Hermosa Beach, CA and the latter hailing from Seattle.  The Adicts are a longstanding English punk band, and an awesome addition to the festival’s initial five.  This lineup is exciting but, of course, this is a punk rock festival.  The excitement will likely revolve more around the atmosphere of thousands of likeminded music fans gathering in Vegas.  And there’ll likely be some younger bands to check out.

Also, Fat Mike of NOFX already owns Las Vegas’s most awesome hotel accommodation—the Vegas Punk House— so it’s almost certain things should get interesting.

Tickets and more information available via the festival website.

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Because end of the year lists can be too comprehensive and difficult to follow, here are this month’s best albums.  If you haven’t heard of any of these, definitely check them out.  Keep ‘em in mind for this year’s end of the year lists, so nothing gets snubbed.  And if I’m missing something, let me know in the comments section.

ALBUM OF THE MONTH:

Cloud Nothings— Attack On Memory

This is by far the album released this January.  It even surpasses many of 2011′s best releases.  Dylan Baldi and his band made a huge transformation from shimmery and optimistic pop/punk to dark and daring pop/punk.  This Steve Albini-produced album is only 8 songs long, but it’s honestly amazing.  Key songs: “Wasted Days,” “No Future/No Past,” “Separation”

THE REST, IN NO PARTICULAR ORDER:

not an Airplane— It Could Just Be This Place

Twangy folksters took a risk with a two song full length— and they were successful.  Key Songs: Both of them.

Rick Ross— Rich Forever

It’s no God Forgives, I Don’t (I hope), but it’s the perfect mixtape to cure any cravings for Boss deep cuts.  Key Songs: “Holy Ghost (Feat. Diddy),” “F*ck ‘Em (Featuring 2Chainz and Wale).”

Howler— America Give Up

Midwestern garage rockers made the best UK pub album of the year so far.

Craig Finn— Clear Heart Full Eyes

Hold Steady frontman proved his knack for storytelling and lyricism works even without the powerhouse backing band.  Key Track: “Jackson.”

the HELL— Sauve Les Requins

Angels and Airwaves and Alkaline Trio members teamed up for a short EP that leaves more to be desired.

Schoolboy Q— Habits & Contradictions

This Black Hippy’s sophomore album surpasses his first.

Lana Del Rey— Born To Die

Overblown hype and controversy aside, Lana Del Rey made the year’s first sturdy pop album.  Key Tracks: “Video Games,” “Off To The Races.”

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Siri always seemed like a gimmicky, not-so-practical update for Apple’s iPhone.  But also kinda a creepy technological advancement.  One step too close to Smart House.

While Siri has already been used/hacked to rap Notorious B.I.G. songs and say other funny things, the iPhone femmbot was recently utilized on a track by Flaming Lips frontman Wayne Coyne and hip-hop diva Erykah Badu.  The two have paired for a collaborative Record Store Day release.  The Siri-featuring track is called “Now I Understand,” and it’s a short preview of the duo’s longer project.

Over slow, sparse synths, Siri delivers the simultaneously reassuring and terrifying refrain: “Wayne, I don’t understand.  The moon the stars and the sun.”  As if she’s a sci-fi robot that’s nearing human-like consciousness and understanding but not yet on the same level.

Badu then sings for a short while before Siri finally reaches the next step— “Wayne, now I understand.”  Very creepy.  Veeeeeeeryyy Creepy. But I can only hope the longer release goes deeper into the robot-on-the-cusp-of-intelligence storyline— great potential coming from two of music’s strangest minds.

The song is psychedelic, weird and difficult to understand, but what can you really expect from a Wayne Coyne and Erykah Badu collaboration?  This should be one of the more interesting Record Store Day releases, but hopefully the duo’s other songs will feature more complex music to accompany the plot.  Listen to “Now I Understand” below.
Now I Understand by theflaminglips

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I remember when we started Earbits – it was called MyOwnFm then – we were several months into it and had only a blog, some low traffic volume, a board of advisers and a few other business-oriented accomplishments under our belts.  We had no technology and, if I recall, no technology co-founder yet, either.  Needless to say, we had (and still have) a very long way to go before our success was ensured.

On one of those early days there was a news article that came out about a company that, based on the description, was exactly what we envisioned for Earbits.  I read it and thought, “This could be about  us.”  They were going to be launching at a big tech conference and both Yotam and I were scared out of our minds that they were going to beat us to the punch.

The day of their launch came and I sat refreshing the conference video clips page over and over waiting for theirs to appear so that I could watch our idea be unveiled to the world, by somebody else.  Luckily for us, and unfortunately for them, the presentation was a relative dud.  You couldn’t tell at all what they were offering, and the presenter spent most of the few minutes repeating himself.  At the time I felt great afterward – they may beat us to market but at least they didn’t come out with the bang they could have.  In retrospect, I wish I hadn’t relished in someone else’s tough times.  But the point is that, it has now been a bit short of two years and this company we were so scared about is still biding its time, to put it nicely.  The reason, as any good entrepreneur will tell you, is because it’s all about execution.

When you have little more than an idea, someone stealing it or having the same idea is terrifying, because it means they have everything that you have.  But really it’s going to come down to whether they can execute on it, and further, whether they can execute on it better than you can.  Regardless, though, at the time this was among the scariest feelings I could have.

Months later, after we had come much further – we had launched our site, secured hundreds of licensing contracts, built up an audience, hired great people, etc. – I began to realize that I was not nearly as afraid of competition from newcomers as I used to be.  In fact, I started thinking, “Go ahead and try to do this.  At least I’ll have someone else to laugh at.  This shit is hard.”  In all seriousness, I started thinking less and less about other small companies passing us up because I see now how hard it is to do what we’ve done.

But, as comforted as I have been about the low likelihood of a new company catching up to us, I’ve still been relatively afraid of larger companies deciding to do what we do.  With all of their assets, it would obviously be a big challenge, and you always get people asking you what you’ll do when so and so does what you do.  They make it sound so formidable.

That’s why my own reaction to something surprised me today.  Another entrepreneur had tried to put me in touch with a very large company to explore some synergies.  That company could be a great partner but they might easily become a big competitor to us, too.  However, you can’t forge big partnerships if you’re afraid to explore them, so I tried to follow up on the intro.

After they didn’t get back to me my friend said today, “I assume they are either super busy – or trying to copy you.”

It was splendid candor and that’s what I like about this particular friend, but what’s even more funny was my gut reaction.  ”Try to copy us?” I thought, “Oh please.  Bring it on.”

This was a pretty big shift in my mentality and it was fun to experience.  A year ago, people asked me what I’d do if the company in question tried to do what we’re doing and I thought about how much that would suck.  Now, I think, you know what?  All that’s going to do is make us work harder and validate that what we’re doing is big time.  And you know what else?  I think we can do it better.  In fact, I know we can do it better.  After all, this is what we do.  We do this one thing, and we do it better than anyone else, and we’ll keep doing it better than anyone else because we care about it more and we have 2 years of experience doing it.  Sure, it will be more challenging to battle the big guys, and by all means, I hope they keep sitting on their laurels and letting us build a killer company.  But even if they don’t, I realized today that I have far bigger things to worry about than someone else trying to start a similar business, even if they are a bigger company with more to work with.

It’s a good feeling, going from scared of a nobody company who has the same idea, to being ready to take all comers no matter how big or small.  The reality is that when you look at the distance you have to go and the massive challenges you have to face along the way toward building a big company – building a great product, getting customers, proving your business model, convincing others to invest in you, scaling at the right time and pace – another company running alongside you is really the least of your concerns.  If you do all of those other things right and focus on your own business instead of someone else’s, there is really nothing that another company can do to stop you from being successful.  If anything, they should really just inspire you even more to bring your A Game.

Joey Flores
CEO, earbits.com
joey@earbits.com
Listen at www.earbits.com
Connect with us on Facebook: www.facebook.com/earbits
Listen on iPhone: itunes.apple.com/us/app/earbits-radio/id397894402
Twitter: @earbits

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The Recipe for a great music showcase is simple: first you take a great band, with original tunes, and the chops to play the shit out of ‘em; add a really dope venue, packed with equal parts eastside hipsters and industry decision makers, stir with a generous helping of cheap drinks, and voila!  So it’s no surprise that Civil Twilight’s coming out party last night @ the Bootleg was such a big success!

The band has a full-length release due out in March of this year on Wind-up Records.  For those who are familiar with the Wind-up roster, don’t expect the modern rock sound, they’ve become synonymous with – Civil Twilight is at any given time, rockin’ poppy, psychedelic, heavy, progressive, melodic, and lots more adjectives.

** LIKE Civil Twilight on Facebook! | FOLLOW Civil Twilight on Twitter! **

Last night the trio–turned-quartet from South Africa wove through their 80 minute set pretty flawlessly. I think the key to their versatility in sound and genre, is their versatility as players.  First off, the guitar player, Andrew Mckellar: this dude made a lot of noise for one guy!  With a very modest arsenal of pedals and guitars, Andrew created sounds that were dirty, melodic, and ambient, and truly had the skills to fill up the spaces of a band without a ton of members.  Drummer, Richard Wouters, was tight without being stiff and creative without being esoteric.  He was pretty masterful on the high hats and stayed away from conventional rock beats, but never made the listener work too hard.   Front man, Steven Mckellar, played the role well.  He was engaged, funny, self-aware, but most importantly, talented.  It’s very nice to hear vocals sung perfectly in key @ a live performance!  It’s also very nice to watch a lead singer anchor the band with some pretty serious chops on the bass.  The band, last night, was also fortunate enough to play with a new member on keys, who had two decks and some tracks going, while deftly performing background vocals and taking over on bass, when Steven tried his hand at piano, or acoustic guitar.

** LISTEN To Civil Twilight’s “Soldier” on Earbits Radio! **

In short – I’m a fan.  I’m very stoked for this release and excited to see what sort of success the band may have in the future.  Their label certainly got them off to a great start, showcasing them to a room jam-packed with music supervisors, coordinators, publishers and fans.  Kudos to Wind-up for dabbling with this alternative to their standards (the label has had huge successes with Creed, Seether, Evanescense & O.A.R.)  Check out some of the band’s previous tunes, here on Earbits, and be sure to check the new record in March – SEE THEM LIVE, TOO – THEY KILLED IT!

 

- Scott Feldman, Artist Relations Manager, Earbits, Inc.

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There are A BUNCH of albums coming to U.S. shelves this Tuesday.  BUY ONE.

Cardinal— Hymns

The first disc from the recently reunited Cardinal in 18 years, and only their second album ever.

Cloud Nothings— Attack On Memory

EXCELLENT EXCELLENT EXCELLENT album (now streaming via Carpark Records) from the young and evolving Dylan Baldi and his band.

Craig Finn— Clear Heart Full Eyes

The first solo effort from the storytellin’ Hold Steady frontman.

First Aid Kit— The Lion’s Roar

Swedish folksters with Jack White-collab experience.

Gangrene— Vodka & Ayahuasca

Alchemist and Oh No— a combo as dangerous as their album title.

Gonjasufi— MU.ZZ.LE

Mad electronic/dubby music from Gonjasufi.

Joe Cocker— Hard Knocks

Blatantly ignoring both globalization and this thing called the internet, Joe Cocker released Hard Knocks exclusively in the UK during October of 2010.  The album’ll finally be hitting American shelves this Tuesday.  It’s Cocker’s 21st studio album, though, so give him a break.

Kathleen Edwards— Voyageur ****

Bon Iver’s romantic interest, so you know it’s good.

****Actually released January 17th, but I forgot to mention it then.

Lamb Of God— Resolution

The seventh album from the longstanding heavy metal group.

Nada Surf— The Stars Are Indifferent To Astronomy

The seventh studio album from the “popular” indie rock band.

Kelly Pickler— 100 Proof

American Idol’s other blonde-haired country singer is set to release her third album this Tuesday.

Plug— Back On Time

A disc of previously unreleased 90s tracks from the electro-weirdo.

Pop 12.80— The Horror


One of Brooklyn’s lesser-known buzzy blog bands.

Porcelain Raft— Strange Weekend

Latest album from the laptop pop musician.

Matt Pryor— May Day

Second solo disc from the man who’s done time in four very good bands: The Get Up Kids, Reggie and the Full Effect, The New Amsterdams, and The Terrible Twos.

John K. Samson— Provincial

The debut solo album from the Canadian folk-punkster of Weakerthans fame.

Tim McGraw— Emotional Traffic

The eleventh studio LP from the hugely famous country singer.

Wiley— Evolve Or Be Extinct

A fitting title for an album from the rapper mainly responsible for the U.K. Grime scene.

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Modern rap superstars like Eminem, Kanye, Dr. Dre & Snoop Dogg and respected hip-hop legends like De La Soul and Nas are consistently represented at the main music festivals such as Lollapalooza, Coachella and Bonaroo.

But Murs’s Paid Dues event is the best festival that focuses exclusively on hip-hop, bringing the genre’s respected elders, popular heavyweights and young MCs together at one event.  The lineup for this year’s edition of Paid Dues has been announced, and it includes Wu Tang Clan at the top of the bill.  Various Wu Tang members typically make an appearance at the festival, but it’s been a while since the whole crew performed there together.

Paid Dues always has hip-hop legends on its lineup, but this year the festival actually includes Living Legends— the underground Southern Californian hip-hop group of which festival originator Murs is a part.

The most surprising act on the bill is scrappy young punks Odd Future, whose Wu-Tang comparisons are certainly credible but who also differ greatly from the usual Paid Dues artists.  Odd Future ringleader Tyler The Creator has been adamant about his hatred of “real hip-hop,” praising instead artists with dumbed-down lyrics but catchy beats and hooks like Soulja Boy and Waka Flocka Flame.  Still, as long as the group stays respectful of the hip-hop greats in attendance, they should be well-received.

The other, less controversial young artist on the bill is Kendrick Lamar— the L.A.-based MC that made the impressive album Section 8.0 last year.  With Dipset, Hieroglyphics, DJ Quick, Psycho Realm and Dilated Peoples fleshing out the rest of the lineup, this year’s festival is sure to be a continuation of previous years’ hip-hop awesomeness.

**Click here to listen to “Powers That Be,” off Hieroglyphics’ album Full Circle**

The festival takes place in San Bernadino, CA at the NOS Events Center on April 7th (past festivals have had a few or several locations of the same event, but it appears as if the festival will remain in Southern California for one day only this year).  Tickets are currently available via the festival’s website, and more acts are still set to be added to the lineup.

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An indie rock supergroup consisting of members from Deer Tick, the Black Lips, Los Lobos, Dead Confederate and Six Finger Satellite made a song called “Gimme a Beer.”  WHAT A SURPRISE, RIGHT?

Even though this brand of booze-drenched and twang-tinged indie folk/rock is expected from any project to which Deer Tick’s John McCauley lends his voice, it’s still consistently entertaining.  McCauley, by the way, is the guy that threw his guitar after a performance on CONAN and then sloppily asked the host to go get a beer with him, among several other wild punk-in-drublic acts.  His latest project (other side-projects include Middle Brother and the Deer Tick alter-ego/cover group Deervana) is called Diamond Rugs, and it includes members from all of the aforementioned popular (and known-to-be-raucous) indie bands.

“Gimme A Beer,” the second song that the group’s released thus far, is currently streaming at Spin’s website.  The track is set to be released along with the band’s self-titled debut album on April 24th.

It’s a bit more uptempo than the band’s other song— the depressing holiday ballad “Christmas In A Chinese Restaurant,” which allows influences outside of the typical Deer Tick country woe to shine through.

“Gimme A Beer” still reeks of alcohol-stained Deer Tick-ness, though, as the song title, lyrics, vocals and Robbie Crowell sax-solo would fit in comfortably on any of the Rhode Island folk/rockers’ albums.

Diamond Rugs’ Partisan Records debut should prove to be yet another impressive release from each of the band’s members— and an eagerly-anticipated combination of likeminded musical forces.  In the meantime, click here to listen to “Me Me Me,” one of the best of the aforementioned other John McCauley III side-project Middle Brother (you’ll be listening on Earbits Radio).

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Schoolboy Q rides in on the wave of The New West— the recent resurgence of the Southern California rap scene that’s seen MCs from the historic hip-hop slums of South Central Los Angeles dropping their weapons in order to flaunt their intelligence over complex, spacey beats.  Yet Schoolboy is still inextricably linked to The Old West— the gun-totin’ gangsta-rap frontier that guys like N.W.A. pioneered and guys like The Game continue to emulate.  Similar to his metaphorical musical ancestors, Schoolboy Q grew up as a member of the Hoover Crips 52 gang, although he claims he maintained a relatively peaceful mindset in comparison to his peers.

While Schoolboy Q is definitely as intelligent as his New South Central peers, his rough, gangster upbringing leaks through on Habits & Contradictions, the follow-up album to his debut Setbacks.

There’s the Throne-mocking “Nightmare On Figg St,” where Schoolboy twists ‘Ye and Jay’s high-society boasts into poverty-stricken, gang-influenced threats.  There’s an undeniable presence of a history of pain and struggle in Schoolboy Q’s snarly voice on that track especially, as he delivers rhymes like “Let’s bake coke and cook crack / Fuck the sheriffs, the gang unit / Fuck crash / Pimp hoes or wring ya bread, she love tracks” over a menacing beat.

While many of South Central’s elders would have left violent remarks like those to standalone, Schoolboy Q understands what he’s up to.  The album also contains tracks like the self-reflective “Sacrilegious,” in which Schoolboy delivers lines like: “Marinatin’ in Satan sweat / take a sip of this Holy Water / Hopin’ God still keeps me blessed / with a dark shield for my armor.”  Lines like this exhibit a self-aware poeticism that makes Habits & Contradictions more than just a straightforward street album.

At seventeen tracks, the album is surprisingly spare on guest features.  However, the guest artists are carefully plucked from Schoolboy Q’s loyal crew— not assembled for purely commercial purposes.  Schoolboy enlists his Black Hippy groupmates Jay Rock, Kendrick Lamar and Ab Soul for various verses (Ab Soul for “Druggys Wit Hoes Again,” the follow-up to Setbacks‘ standout track “Druggys Wit Hoes”) and also offers fellow Angeleno Dom Kennedy a guest spot.  Other esteemed guests include Coloradan duo No Concept on “Gangsta In Designer,” and a dirty yet soulful verse from R&B beauty Jhene Aiko.

Perhaps the most high-profile guest feature on Habits & Contradictions comes from The New East, in the form of Harlem’s latest success story A$AP Rocky.  The self-proclaimed Pretty Motherfucker appears on “Hands On The Wheel,” a drugged-up track that borrows its prominent sample from Kid Cudi’s drugged-up “Pursuit of Happiness.”  Rocky speeds up his signature syrup-soaked flow for the verse, which offers an accurate display of the skills found on last year’s impressive LiveLoveA$AP mixtape.

Habits & Contradictions is a street album for an era that’s all but forgotten what rappers without yachtloads of wealth sound like.  It’s filled with drugs and guns— Schoolboy’s Habits, presumably, yet also numerous self-reflective Contradictions.  While most albums of this nature will leave you feeling as if you’ve briefly escaped to the decadent land of the self-made 1%, Schoolboy’s sophomore effort offers the type of brutal honesty that’ll leave you to question and confront your own reality.  Plus, of course, the beats are really good and Schoolboy Q knows how to rap.

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