I remember when we started Earbits – it was called MyOwnFm then – we were several months into it and had only a blog, some low traffic volume, a board of advisers and a few other business-oriented accomplishments under our belts.  We had no technology and, if I recall, no technology co-founder yet, either.  Needless to say, we had (and still have) a very long way to go before our success was ensured.

On one of those early days there was a news article that came out about a company that, based on the description, was exactly what we envisioned for Earbits.  I read it and thought, “This could be about  us.”  They were going to be launching at a big tech conference and both Yotam and I were scared out of our minds that they were going to beat us to the punch.

The day of their launch came and I sat refreshing the conference video clips page over and over waiting for theirs to appear so that I could watch our idea be unveiled to the world, by somebody else.  Luckily for us, and unfortunately for them, the presentation was a relative dud.  You couldn’t tell at all what they were offering, and the presenter spent most of the few minutes repeating himself.  At the time I felt great afterward – they may beat us to market but at least they didn’t come out with the bang they could have.  In retrospect, I wish I hadn’t relished in someone else’s tough times.  But the point is that, it has now been a bit short of two years and this company we were so scared about is still biding its time, to put it nicely.  The reason, as any good entrepreneur will tell you, is because it’s all about execution.

When you have little more than an idea, someone stealing it or having the same idea is terrifying, because it means they have everything that you have.  But really it’s going to come down to whether they can execute on it, and further, whether they can execute on it better than you can.  Regardless, though, at the time this was among the scariest feelings I could have.

Months later, after we had come much further – we had launched our site, secured hundreds of licensing contracts, built up an audience, hired great people, etc. – I began to realize that I was not nearly as afraid of competition from newcomers as I used to be.  In fact, I started thinking, “Go ahead and try to do this.  At least I’ll have someone else to laugh at.  This shit is hard.”  In all seriousness, I started thinking less and less about other small companies passing us up because I see now how hard it is to do what we’ve done.

But, as comforted as I have been about the low likelihood of a new company catching up to us, I’ve still been relatively afraid of larger companies deciding to do what we do.  With all of their assets, it would obviously be a big challenge, and you always get people asking you what you’ll do when so and so does what you do.  They make it sound so formidable.

That’s why my own reaction to something surprised me today.  Another entrepreneur had tried to put me in touch with a very large company to explore some synergies.  That company could be a great partner but they might easily become a big competitor to us, too.  However, you can’t forge big partnerships if you’re afraid to explore them, so I tried to follow up on the intro.

After they didn’t get back to me my friend said today, “I assume they are either super busy – or trying to copy you.”

It was splendid candor and that’s what I like about this particular friend, but what’s even more funny was my gut reaction.  ”Try to copy us?” I thought, “Oh please.  Bring it on.”

This was a pretty big shift in my mentality and it was fun to experience.  A year ago, people asked me what I’d do if the company in question tried to do what we’re doing and I thought about how much that would suck.  Now, I think, you know what?  All that’s going to do is make us work harder and validate that what we’re doing is big time.  And you know what else?  I think we can do it better.  In fact, I know we can do it better.  After all, this is what we do.  We do this one thing, and we do it better than anyone else, and we’ll keep doing it better than anyone else because we care about it more and we have 2 years of experience doing it.  Sure, it will be more challenging to battle the big guys, and by all means, I hope they keep sitting on their laurels and letting us build a killer company.  But even if they don’t, I realized today that I have far bigger things to worry about than someone else trying to start a similar business, even if they are a bigger company with more to work with.

It’s a good feeling, going from scared of a nobody company who has the same idea, to being ready to take all comers no matter how big or small.  The reality is that when you look at the distance you have to go and the massive challenges you have to face along the way toward building a big company – building a great product, getting customers, proving your business model, convincing others to invest in you, scaling at the right time and pace – another company running alongside you is really the least of your concerns.  If you do all of those other things right and focus on your own business instead of someone else’s, there is really nothing that another company can do to stop you from being successful.  If anything, they should really just inspire you even more to bring your A Game.

Joey Flores
CEO, earbits.com
joey@earbits.com
Listen at www.earbits.com
Connect with us on Facebook: www.facebook.com/earbits
Listen on iPhone: itunes.apple.com/us/app/earbits-radio/id397894402
Twitter: @earbits

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The Recipe for a great music showcase is simple: first you take a great band, with original tunes, and the chops to play the shit out of ‘em; add a really dope venue, packed with equal parts eastside hipsters and industry decision makers, stir with a generous helping of cheap drinks, and voila!  So it’s no surprise that Civil Twilight’s coming out party last night @ the Bootleg was such a big success!

The band has a full-length release due out in March of this year on Wind-up Records.  For those who are familiar with the Wind-up roster, don’t expect the modern rock sound, they’ve become synonymous with – Civil Twilight is at any given time, rockin’ poppy, psychedelic, heavy, progressive, melodic, and lots more adjectives.

** LIKE Civil Twilight on Facebook! | FOLLOW Civil Twilight on Twitter! **

Last night the trio–turned-quartet from South Africa wove through their 80 minute set pretty flawlessly. I think the key to their versatility in sound and genre, is their versatility as players.  First off, the guitar player, Andrew Mckellar: this dude made a lot of noise for one guy!  With a very modest arsenal of pedals and guitars, Andrew created sounds that were dirty, melodic, and ambient, and truly had the skills to fill up the spaces of a band without a ton of members.  Drummer, Richard Wouters, was tight without being stiff and creative without being esoteric.  He was pretty masterful on the high hats and stayed away from conventional rock beats, but never made the listener work too hard.   Front man, Steven Mckellar, played the role well.  He was engaged, funny, self-aware, but most importantly, talented.  It’s very nice to hear vocals sung perfectly in key @ a live performance!  It’s also very nice to watch a lead singer anchor the band with some pretty serious chops on the bass.  The band, last night, was also fortunate enough to play with a new member on keys, who had two decks and some tracks going, while deftly performing background vocals and taking over on bass, when Steven tried his hand at piano, or acoustic guitar.

** LISTEN To Civil Twilight’s “Soldier” on Earbits Radio! **

In short – I’m a fan.  I’m very stoked for this release and excited to see what sort of success the band may have in the future.  Their label certainly got them off to a great start, showcasing them to a room jam-packed with music supervisors, coordinators, publishers and fans.  Kudos to Wind-up for dabbling with this alternative to their standards (the label has had huge successes with Creed, Seether, Evanescense & O.A.R.)  Check out some of the band’s previous tunes, here on Earbits, and be sure to check the new record in March – SEE THEM LIVE, TOO – THEY KILLED IT!

 

- Scott Feldman, Artist Relations Manager, Earbits, Inc.

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There are A BUNCH of albums coming to U.S. shelves this Tuesday.  BUY ONE.

Cardinal— Hymns

The first disc from the recently reunited Cardinal in 18 years, and only their second album ever.

Cloud Nothings— Attack On Memory

EXCELLENT EXCELLENT EXCELLENT album (now streaming via Carpark Records) from the young and evolving Dylan Baldi and his band.

Craig Finn— Clear Heart Full Eyes

The first solo effort from the storytellin’ Hold Steady frontman.

First Aid Kit— The Lion’s Roar

Swedish folksters with Jack White-collab experience.

Gangrene— Vodka & Ayahuasca

Alchemist and Oh No— a combo as dangerous as their album title.

Gonjasufi— MU.ZZ.LE

Mad electronic/dubby music from Gonjasufi.

Joe Cocker— Hard Knocks

Blatantly ignoring both globalization and this thing called the internet, Joe Cocker released Hard Knocks exclusively in the UK during October of 2010.  The album’ll finally be hitting American shelves this Tuesday.  It’s Cocker’s 21st studio album, though, so give him a break.

Kathleen Edwards— Voyageur ****

Bon Iver’s romantic interest, so you know it’s good.

****Actually released January 17th, but I forgot to mention it then.

Lamb Of God— Resolution

The seventh album from the longstanding heavy metal group.

Nada Surf— The Stars Are Indifferent To Astronomy

The seventh studio album from the “popular” indie rock band.

Kelly Pickler— 100 Proof

American Idol’s other blonde-haired country singer is set to release her third album this Tuesday.

Plug— Back On Time

A disc of previously unreleased 90s tracks from the electro-weirdo.

Pop 12.80— The Horror


One of Brooklyn’s lesser-known buzzy blog bands.

Porcelain Raft— Strange Weekend

Latest album from the laptop pop musician.

Matt Pryor— May Day

Second solo disc from the man who’s done time in four very good bands: The Get Up Kids, Reggie and the Full Effect, The New Amsterdams, and The Terrible Twos.

John K. Samson— Provincial

The debut solo album from the Canadian folk-punkster of Weakerthans fame.

Tim McGraw— Emotional Traffic

The eleventh studio LP from the hugely famous country singer.

Wiley— Evolve Or Be Extinct

A fitting title for an album from the rapper mainly responsible for the U.K. Grime scene.

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Modern rap superstars like Eminem, Kanye, Dr. Dre & Snoop Dogg and respected hip-hop legends like De La Soul and Nas are consistently represented at the main music festivals such as Lollapalooza, Coachella and Bonaroo.

But Murs’s Paid Dues event is the best festival that focuses exclusively on hip-hop, bringing the genre’s respected elders, popular heavyweights and young MCs together at one event.  The lineup for this year’s edition of Paid Dues has been announced, and it includes Wu Tang Clan at the top of the bill.  Various Wu Tang members typically make an appearance at the festival, but it’s been a while since the whole crew performed there together.

Paid Dues always has hip-hop legends on its lineup, but this year the festival actually includes Living Legends— the underground Southern Californian hip-hop group of which festival originator Murs is a part.

The most surprising act on the bill is scrappy young punks Odd Future, whose Wu-Tang comparisons are certainly credible but who also differ greatly from the usual Paid Dues artists.  Odd Future ringleader Tyler The Creator has been adamant about his hatred of “real hip-hop,” praising instead artists with dumbed-down lyrics but catchy beats and hooks like Soulja Boy and Waka Flocka Flame.  Still, as long as the group stays respectful of the hip-hop greats in attendance, they should be well-received.

The other, less controversial young artist on the bill is Kendrick Lamar— the L.A.-based MC that made the impressive album Section 8.0 last year.  With Dipset, Hieroglyphics, DJ Quick, Psycho Realm and Dilated Peoples fleshing out the rest of the lineup, this year’s festival is sure to be a continuation of previous years’ hip-hop awesomeness.

**Click here to listen to “Powers That Be,” off Hieroglyphics’ album Full Circle**

The festival takes place in San Bernadino, CA at the NOS Events Center on April 7th (past festivals have had a few or several locations of the same event, but it appears as if the festival will remain in Southern California for one day only this year).  Tickets are currently available via the festival’s website, and more acts are still set to be added to the lineup.

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An indie rock supergroup consisting of members from Deer Tick, the Black Lips, Los Lobos, Dead Confederate and Six Finger Satellite made a song called “Gimme a Beer.”  WHAT A SURPRISE, RIGHT?

Even though this brand of booze-drenched and twang-tinged indie folk/rock is expected from any project to which Deer Tick’s John McCauley lends his voice, it’s still consistently entertaining.  McCauley, by the way, is the guy that threw his guitar after a performance on CONAN and then sloppily asked the host to go get a beer with him, among several other wild punk-in-drublic acts.  His latest project (other side-projects include Middle Brother and the Deer Tick alter-ego/cover group Deervana) is called Diamond Rugs, and it includes members from all of the aforementioned popular (and known-to-be-raucous) indie bands.

“Gimme A Beer,” the second song that the group’s released thus far, is currently streaming at Spin’s website.  The track is set to be released along with the band’s self-titled debut album on April 24th.

It’s a bit more uptempo than the band’s other song— the depressing holiday ballad “Christmas In A Chinese Restaurant,” which allows influences outside of the typical Deer Tick country woe to shine through.

“Gimme A Beer” still reeks of alcohol-stained Deer Tick-ness, though, as the song title, lyrics, vocals and Robbie Crowell sax-solo would fit in comfortably on any of the Rhode Island folk/rockers’ albums.

Diamond Rugs’ Partisan Records debut should prove to be yet another impressive release from each of the band’s members— and an eagerly-anticipated combination of likeminded musical forces.  In the meantime, click here to listen to “Me Me Me,” one of the best of the aforementioned other John McCauley III side-project Middle Brother (you’ll be listening on Earbits Radio).

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Schoolboy Q rides in on the wave of The New West— the recent resurgence of the Southern California rap scene that’s seen MCs from the historic hip-hop slums of South Central Los Angeles dropping their weapons in order to flaunt their intelligence over complex, spacey beats.  Yet Schoolboy is still inextricably linked to The Old West— the gun-totin’ gangsta-rap frontier that guys like N.W.A. pioneered and guys like The Game continue to emulate.  Similar to his metaphorical musical ancestors, Schoolboy Q grew up as a member of the Hoover Crips 52 gang, although he claims he maintained a relatively peaceful mindset in comparison to his peers.

While Schoolboy Q is definitely as intelligent as his New South Central peers, his rough, gangster upbringing leaks through on Habits & Contradictions, the follow-up album to his debut Setbacks.

There’s the Throne-mocking “Nightmare On Figg St,” where Schoolboy twists ‘Ye and Jay’s high-society boasts into poverty-stricken, gang-influenced threats.  There’s an undeniable presence of a history of pain and struggle in Schoolboy Q’s snarly voice on that track especially, as he delivers rhymes like “Let’s bake coke and cook crack / Fuck the sheriffs, the gang unit / Fuck crash / Pimp hoes or wring ya bread, she love tracks” over a menacing beat.

While many of South Central’s elders would have left violent remarks like those to standalone, Schoolboy Q understands what he’s up to.  The album also contains tracks like the self-reflective “Sacrilegious,” in which Schoolboy delivers lines like: “Marinatin’ in Satan sweat / take a sip of this Holy Water / Hopin’ God still keeps me blessed / with a dark shield for my armor.”  Lines like this exhibit a self-aware poeticism that makes Habits & Contradictions more than just a straightforward street album.

At seventeen tracks, the album is surprisingly spare on guest features.  However, the guest artists are carefully plucked from Schoolboy Q’s loyal crew— not assembled for purely commercial purposes.  Schoolboy enlists his Black Hippy groupmates Jay Rock, Kendrick Lamar and Ab Soul for various verses (Ab Soul for “Druggys Wit Hoes Again,” the follow-up to Setbacks‘ standout track “Druggys Wit Hoes”) and also offers fellow Angeleno Dom Kennedy a guest spot.  Other esteemed guests include Coloradan duo No Concept on “Gangsta In Designer,” and a dirty yet soulful verse from R&B beauty Jhene Aiko.

Perhaps the most high-profile guest feature on Habits & Contradictions comes from The New East, in the form of Harlem’s latest success story A$AP Rocky.  The self-proclaimed Pretty Motherfucker appears on “Hands On The Wheel,” a drugged-up track that borrows its prominent sample from Kid Cudi’s drugged-up “Pursuit of Happiness.”  Rocky speeds up his signature syrup-soaked flow for the verse, which offers an accurate display of the skills found on last year’s impressive LiveLoveA$AP mixtape.

Habits & Contradictions is a street album for an era that’s all but forgotten what rappers without yachtloads of wealth sound like.  It’s filled with drugs and guns— Schoolboy’s Habits, presumably, yet also numerous self-reflective Contradictions.  While most albums of this nature will leave you feeling as if you’ve briefly escaped to the decadent land of the self-made 1%, Schoolboy’s sophomore effort offers the type of brutal honesty that’ll leave you to question and confront your own reality.  Plus, of course, the beats are really good and Schoolboy Q knows how to rap.

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More and more often fans and critics are getting the sense that hip-hop, like Occupiers would say about the government, is no longer about We The People.  Separate business affairs are closely linked with rappers’ words, and those with sponsors or corporate interests fill their albums with blatant product placement.  That’s all fine as a form of escapist entertainment, and the formula’s worked for years now, but in times of economic hardship it can come across as a slap in the face to those for which inventing swag, popping bottles, putting supermodels in the cab and renting out hospital floors is not an option.

Thankfully, groups (albeit aging groups) like Public Enemy are still around to kick us back to reality.

The reality is that, while the American Dream has led a select few out of the slums and straight to the often-sought-after Tony Montana status, life remains fairly shitty for a lot of people.  Especially in Los Angeles’s East Side, where the broke and bummed-out Hollywood rejects inevitably wander to join numerous others in desperate or unlucky situations.

In order to cast a light on the huge homeless population in Los Angeles’s Skid Row District— especially those affected by the city’s recent housing crisis— Public Enemy has organized a free concert, dubbed “Operation Skid Row Music Festival.“  The festival is scheduled to take place TODAY (1/15/12) on the corner of 5th and Gladys Ave. in Downtown Los Angeles.  The concert is FREE, and it features recognizable names in the hip-hop scene such as Kurupt (from The Dogg Pound) and Nipsey Hussle.  Other performers include Freestyle Fellowship, YO YO, XClan, Mellow Man Ace and the ZZYZZX, King T, Rapper’s Rapp Group, Sir Jinx and General Population, Stilztik Jonz, JAHI, Arise Roots, The Real McCoy, Skid Row Flowing, Drummers, Joses Song, Linda Harris, Big Mack, OG Kid Frost, L.A. Possee, and the Egyptian Lover.

Although the festival features mainly old-school and underground acts, it’s nice to see hip-hop taking a step back towards its revolutionary and activist roots.  According to Billboard, the concert will benefit the Los Angeles Community Action Network, “an organization assisting Central City East’s homeless by providing low-income families with stable housing.”  The show is free, so it’s unclear where that benefit money will be coming from (bring a few dollars for donation if you’ve got it.  you are getting the chance to see Public Enemy).

It’s great to see Chuck D and Flava Flav still out Fighting The Power in 2012.  YEAAAAH BOYEEE!

 

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The second round of 2012′s music releases is already on its way.  Check out the latest albums hitting shelves (both digital and real) this Tuesday.

Steve Aoki— Wonderland

Although Steve Aoki has built a large fanbase and headlined huge shows around the world, Wonderland is his first official studio album.  It’s already available on iTunes, but it’s being released in stores on 1/17/12.  The house album includes guest appearances from Rivers Cuomo, Wynter Gordon, Lil Jon, Chiddy Bang, LMFAO, Kid Cudi, Travis Barker, and more.

Attack Attack— This Means War

This Means War is the third studio album from the metalcore band that hails from Ohio.

Jessie Baylin— Little Spark

Jessie Baylin rose to prominence by performing regularly at Los Angeles’s Hotel Café, an intimate venue that’s served as the springboard for the careers of several singer/songwriters.  The New Jersey-born and Nashville based singer is also married to Kings of Leon drummer Nathan Followill.  Little Spark is her third album.

The Big Pink— Future This

Big Pink is the name of a pretty good restaurant in Miami and it’s also the name of a pretty good band from the United Kingdom.  Led by the soaring electro-rock single “Stay Gold,” The Big Pink’s second album should prove to be enjoyable.

Black Pussy— On Blonde

Google Black Pussy— On Blonde and you’ll come up with some decidedly NSFW results.  And when you finally dig your way out of the pornographic trap, you’ll find a band that plays rock ‘n roll that’s just as dirty.  On Blonde is set to be released through Made In China Records.

Deerhoof/David Bazan— DeerBazan

Polyvinyl Records labelmates Deerhoof (bizarre art/rock band) and David Bazan (introspective singer songwriter) are putting out this collaborative 7inch record on Tuesday.  Deerhoof has been releasing a series of these records, in which another artist adds their own lyrics and vocals to a previously-released Deerhoof song.  For this particular release, Bazan is singing over “No One Asked to Dance” on Side A, and covering the Headphones’ “Gas and Matches” on Side B.

Ani DiFranco— ¿Which Side Are You On?

The prolific folk singer/songwriter is scheduled to release her seventeenth studio album on 1/17/12.  According to the always-reliable Wikipedia, the album features banjo and vocal accompaniment on the title track (a cover of Florence Reece’s 1931 song) from legendary folk artist Pete Seeger.

Enter Shakiri— A Flash Flood Of Colour

Enter Shakiri is one of the few bands to successfully mesh metal with electronica.  Their third full-length, then, arrives at an opportune time— as artists like Skrillex and Korn continue to blend the lines between hard rock and dubstep to be digested by the mainstream.

Howler— America Give Up

Howler is a Minnesota-based garage rock band that was one of the standouts on NME’s 100 New Bands For 2012 list. Admittedly, these guys sound straight out of a dingy London club— not the friendly and cold Midwestern town from which they actually hail.  America Give Up (perhaps a fitting title, then?) is their debut album.

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At this point it’s safe to assume that we pretty much know what an album’s gonna sound like if Rick Ross is on the cover.  We may not know what bizarre boast is going to slip out of that rarely-closed area between beard and mustache at any given moment, but it’s more than likely going to be some sort of bizarre boast.

Although Officer Ricky has undergone a noticeable evolution throughout his past four albums it’s been minimal; especially when you consider a guitar-wielding Weezy and a Bruno Mars-collaborating Eminem are actual things that happened in hip-hop.

Rich Forever, the Teflon Don’s latest effort (and appetizer to delayed full course God Forgives, I Don’t), is further evidence of Ross’s consistent, expected output.  The mixtape is filled with Ross’s prideful rhymes about drugs, cars and connections, delivered amongst those signature raspy huhs and over grandiose Justice League, Lex Luger and Lex Luger-soundalike beats.  The Boss knows what works and he sticks to that proven formula.

Ross has also always been reliable for packing his albums with guest features, enlisting pretty much anyone who’s been near a Billboard chart lately to lend a verse.  Rich Forever’s just a mixtape to briefly satisfy the hungry masses, and it features guest appearances from Diddy, Styles P, Meek Mill, Birdman, Kelly Rowland, Pharrell, Stalley, French Montana, 2 Chainz, John Legend, Future, Drake, and Nas.

Since it’d be pointless to go over Ross’s contribution to the mixtape— as I’ve mentioned, it’s pretty much what you’d expect (and that is, and has been, a good thing)— this article’ll break down Rich Forever’s guest appearances (7 unmentioned tracks feature Ross alone (well, one just features a British guy)).

“Holy Ghost” Feat. Diddy

Diddy is listed as a feature on this track but does about as much work as Otis Redding did on the Watch The Throne album.  Ross provides both verses and the hook, while Diddy appears twice with a few choice prayers, stating “Father please protect me from brokeness / and Bitch ass n*ggas, bitch ass bitches too / Keep ‘em away” at the beginning of the song and “They hate but they don’t understand / Father forgive them / For they know not what they do” at the end.  Not necessarily bad, but if a rapper is going to be listed on a track I’d at least like him to do some rapping.

 

“F*ck Em” Feat. 2 Chainz & Wale

The artist formerly known as Tity Boi kicks off the second verse of this anthemic fuck-haters trap-rap with a question that I truly wish I knew the answer to: “What you know bout walkin’ in the Gucci store and they salute?” 2Chainz continues with the over-the-top brags throughout the verse, but you gotta respect a guy that says, “My father figure was Too $hort.

Wale’s career was arguably rescued by his signing to Ross’s MMG, who delivered the MC’s sophomore album Ambition last year.  Wale pays his Boss back with a nice verse to finish the song.

Key Line:Ridin’ five deep and I’m as dirty as them congressmen.”— Wale

 

“Rich Forever” Feat. John Legend

Grammy award-winning singer John Legend lends his voice to the mixtape’s title track,  which sounds like a My Beautiful Dark Twisted Fantasy outtake.  Over cinematic strings Legend sings: “On the way we shed some tears / Every day we sacrifice / So we can be standing here / Oh what a hell of a life / Been winning so many years / And the future is bright / Now it’s very clear / That we gon’ be rich forever.”  Legend’s smooth voice is a strong accompaniment to Ross’s reflective lyricism.

 

“Triple Beam Dreams” Feat. Nas

Over Justice League production Nas provides introspective contemplation on the moral dilemmas and self-deception involved with selling drugs: “I remember watching Scarface the first time / Look at that big house, that Porsche paid for by crime / How could I sell this poison to my peoples, in my mind / They dumb to destroy themselves is how I rationalize.”  Nas timeless, old-school flow fits well over the hard-hitting yet still-relatively-subdued, Ross-style beat.  This is one of the few songs on the album where both Ross and his esteemed guest stick to the subject at hand— the way they glorified drug dealing when they were younger— rather than resorting to braggadocio.

Note: I said I wasn’t going to talk about Ross’s lyrics but this is the opportune time to interject.  In the “Triple Beam Dreams” chorus Ross raps, “Early nineties reminiscing when I had a pager / Triple Beam Dreams, now Pat Riley my neighbor.”  On “F*ck Em,” he states, “Roll up and inhale / I live next to Denzel.”  Whether or not that’s true, I love to imagine Rick Ross, Denzel Washington and Pat Riley all smiling and waving at each other when they go out to grab their newspapers in the morning.

 

“Mine Games” Feat. Kelly Rowland

Beyonce’s sister provides both the hook and the bridge on this R&B-style love song.  She sings, “You don’t have to play mind games / Just tell me what’s yours is mine / Even when you’re far away / You come back to me every time / It’s just me and my babe at the end of the day / We ain’t gotta play no mind games.” Kelly reminds us what’s easy to forget with Beyonce and Blue Ivy dominating the media: the other Rowland can sing.

 

“New Bugatti” Feat. Diddy

Diddy returns for this Auto Anthem.  While Ross raps about about his new Bugatti and what it took to get that car, Diddy ignores the song title, instead referencing his own Blue Dot Ciroc and Sean John brands.  Guess the business man’s gotta stick to his brands (can’t hate him for that).

Key Line: Bought a vodka rum in London, cost a million pounds” —Diddy

 

“Keys To The Crib” Feat. Styles P

The Inkredibles produced what probably amounts to the album’s best track, a soulful, sax-sampling beat that allows Ross to make plenty of key—ki(lo) puns.  Styles P takes a note out of Clipse’s book with his cocaine-riddled rhymes and similar flow.  The guest verse doesn’t offer anything out of the ordinary, but it fits well with the song and is a nice break from Ross’s raps.

Key Line: “My only trending topic is the cash” — Rick Ross

 

“Last Breath” Feat. Meek Mill and Birdman

It’s fitting that Meek Mill is on a track with Rick Ross called “Last Breath,” because both of them rap like they just ran a marathon with Cuban cigars in their mouths the entire time.  I don’t know what it is about Meek Mill’s flow, but I love it.  It doesn’t really matter what he says, because it sounds cool no matter what.  And I’m glad he made an appearance on Rich Forever.

Birdman provides a similar service as Meek Mill.  No matter what the Cash Money co-founder says, he sounds like he means it, and it sounds badass.  His fourth verse is also a great addition to the track.

 

“Off The Boat” Feat. French Montana

Frequent MMG collaborator and recent Bad Boy Records-signee French Montana lends his loud drug flow to this even-louder drug anthem.  At least French Montana is using his drug money productively— “I’m talking 8 grand a piece, I’m on the floor with the Lakers / I’m talking 8 grand a seat, Louie sneaks with no laces” (although I’d take courtside Clippers seats and a pair of Jordans over that combo any day).

Key Line: I get it fresh off the boat, I get it ‘cross the Atlantic / I just fired my banker, now I just rubberband it”— French Montana

 

“Ring Ring Ring” Feat. Future

Future provides an ultra-autotuned hook on this “One Call Away”-style song for the ladies.

 

“MMG The World Is Ours” Feat. Pharrell, Meek Mill, Stalley

Pharrell

I think Pharrell provides my favorite guest verse on Rich Forever.  He begins with “They say Skateboard, you racist, you only hang with white Cubans / Nonsense, that’s the necklace ni**a, the light’s moving.”  He then assures us he’s still a N.E.R.D. before playfully mocking Ross’s “9 Piece” by saying “I’m on my iPhone!” and punctuating it with his own Huh!  Clever and well done.

Meek Mill

Meek Mill returns for another verse, upping his game from “Last Breath.”

Stalley

Stalley has a bushy beard and is on Ross’s Maybach Music label, but without those extra details it’d be tough to find comparisons between the Midwestern rapper and Ross.  He’s got a higher voice and a more rapidfire flow, and though his subject matter is often similar to his Boss he approaches it in a different manner.  Hopefully this verse will turn him on to all the Ross fans who’ve yet to discover Stalley.

Key Line: “They had me cutting through that field like a rushing Barry / Slammers play with hammers, had them birds but we don’t fuck with Larry.“— Meek Mill

 

“Party Heart” Feat. Stalley and 2Chainz

Stalley jumps from the last song’s last verse to this song’s first, referencing a new brand every five seconds over a throwback, funky beat from The Cool Kids’ Chuck Inglish.

2Chainz also returns during the last verse, and over this old-school beat the rapper sounds suspiciously like his aforementioned father figure “Too $hort.”  This type of production fits the MC well.

 

“Stay Schemin’” Feat. Drake and French Montana

Drake comes straight out of the gate with indirect shots at Common (who retaliated with his own, more straightforward beef-y version of this track)— “It bothers me when the gods get to acting like the broads.”  No matter whose side your on, you gotta admit that Drake has a point when he says “It’s feeling like rap changed, there was a time it was rugged / Back when if a n*gga reached it was for the weapon / Nowadays ni**as reach just to sell they record.

French Montana returns with a much-less confrontational verse, using a lot of confusing numbers and rhyming “dog” with “dog” twice in a row.  Fitting way to end the album’s features.

 

Overall, Rich Forever is a strong mixtape, especially for a full length album precursor.  It’s what you’d expect from Ross, but, like I said, you never really know exactly what that means.  Download it for free via LiveMixTapes.

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The Five W’s:  Breaking down some of the best bands on Earbits Radio in simplistic terms through journalism’s classic formula.

Who: Magnet School

What: Grown-man’s emo re-imagined through unique indie rock

When: Playing at @Double Wide in Dallas, TX on 1/21/12

Where: Austin, TX

Why: Magnet Schools draw the smartest students from different areas of a city, defying established boundaries.  Austin, TX’s Magnet School is aptly named, then, as they carefully pluck the smartest stylistic elements from several different genres, blending them together to form a unique sound.  There are jangling guitars submerged in shoegazy reverb, early-emo-style lyricism and Hum-like, grungy grooves.  The music is essentially emo-tinged indie rock for guys who grew up listening to Sunny Day Real Estate and The Promise Ring, with the out-there experimentation of groups like fellow-Austin dwellers …And You Will Know Us By The Trail Of Dead thrown in.

Magnet School released their debut album Tonight We Drink… Tomorrow We Battle The Evil At Hand via Austin’s local Arclight Records in 2007 to fairly widespread acclaim.  Though it’s now been five years since that release, the group has continued working hard.  They have a couple shows throughout Texas this month, and a follow-up album is supposedly in the works.

Key Tracks (Click To Listen): “Crush,” off Tonight We Drink… Tomorrow We Battle The Evil At Hand.  “XX,” also off Tonight.

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