I was first introduced to Speak! in the wake of the Odd Future hype frenzy that took place earlier this year, and I immediately followed his continual internet updates. Like his compadres in the now world-renowned LA hip-hop collective, Speak makes unapologetic, dark, humorous, angry, vulgar, drugged-out and rebellious hip-hop. He hangs with the up-and-coming rappers that create similar sounding music— Speak was the ghost-writer for Kreayshawn’s infectious viral hit “Gucci Gucci,” and all songs on his latest album were recorded, mixed, and mastered by Odd Future’s Syd Tha Kid. He’s also a part-Mexican, part-Jewish rapper that dresses in thrift-store garb and displays an impressive beard. His hilarious twitter account consists of WWE references, boasts about sleeping with American Apparel models, drug-related anecdotes, and angry rants about popular hip-hop. He calls himself the “34th best rapper alive” as well as “The Craigslist Killer” and “Art Goon.” In short, almost everything about the persona Speak has created (either intentionally or unintentionally) is captivating and intriguing. It’s easy to become a fan of the rapper without ever hearing his music.
Tag Archive: los angeles
For the past 22 years, local alternative rock station KROQ has been organizing annual events around the holiday season, dubbed “Almost Acoustic Christmas” (which, during the live performances, translates to “not acoustic at all”). These events showcase the groups that are typically played on the station. Today, KROQ announced the lineup for night one of the two day event. Performing at the Gibson Ampitheatre on December 10th will be Young The Giant, 311, Social Distortion, New Found Glory, Incubus, Chevelle, Bush, and Blink-182. These choices are not surprising, as they compose the 90s and 2000s-era bands that have consistently earned significant airplay on alt-rock stations around the country, especially KROQ. Young The Giant is perhaps the only unexpected choice, considering the group is relatively young. KROQ usually reserves night 2 for the younger, less established alt-rock groups.
I thought emotionally-charged heavy music had fallen off the musical map ever since “emo” became a dirty word, but there’s a whole new crop of emotional post-hardcore (yes that is a euphemism for “screamo,” basically) bands that are young and extremely popular. I found out about Touché Amore, an LA-based hardcore group, a couple of weeks ago. I bought tickets to their 11/13 show at the Echoplex because I liked their latest album, Parting The Sea Between Brightness And Me, so much. Luckily I bought tickets early, because the show eventually sold out. Apparently more people than I suspected are still listening to this type of music. And it’s much better than it was 10 years ago.
One of the common criticisms of digital music is that it lacks the artwork and, of course, tangibility found on cassettes, vinyl records and CDs, among other forms of music distribution. It’s a treat, then, when an artist takes the time to craft a visually appealing album.
That’s exactly what singer/songwriter Mark Cote has done with his new album, entitled Funhouse Of Your Mind. The disc comes enclosed in a visually appealing case, featuring a design style similar to that found on the artist’s website. The intriguing design adds to Cote’s concept behind the album, which deals with the various emotions contained within the complex “funhouse” of the mind.
Those with arithmophobia (fear of numbers) should stay away from Eagle Rock’s Center for the Arts on November 11th. 11/11/11 is a day that arithmophobes might fear no matter what (although it was almost impossible to find the exact word for the phobia that corresponds to “fear of the number eleven), but Stones Throw Records is taking the numerically-consistent day to a new level.
Every so often a voice comes along that captures the attention of its listeners because of its strength, uniqueness and power. It doesn’t happen a lot. But when it does, you just know it. In recent years it happened with Amy Winehouse and it happened with Adele, and it’s happening again with Audra Mae.
A singer/songwriter from Oklahoma, Audra Mae has a voice as immediately captivating as those two (albeit one deceased) contemporaries. She sings in a similarly soulful, jazzy style—sweet yet strong. But while artists copying that retro-jazz style have been popping up frequently since Winehouse proved it works for modern audiences, Audra Mae is not just another one of those singers. The comparison to Adele and Winehouse is based solely on Mae’s incredible vocal ability, as her style greatly differs.




